Much more of a collaboration here than on their previous effort, John and Beverley Martyn continue on their way through the British folk-jazz of the '70s. Flowing with a subtle improvisation that incorporated a greater ethnic feeling, Road to Ruin makes for enjoyable listening indeed. Good singing and playing make this a great album to sit back and reflect upon.
![John Martyn Best Of Rar John Martyn Best Of Rar](https://www.vinyltap.co.uk/media/catalog/product/cache/0/image/500x/9df78eab33525d08d6e5fb8d27136e95/i/m/image_236192_3_1_3_5_8_6_6_10_1_266708_1_118752_1_9_1_79136.jpg)
Sample | Title/Composer | Performer | Time | Stream |
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1 | Beverley Martyn / John Martyn | |||
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3 | Beverley Martyn / John Martyn | |||
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5 | Beverley Martyn / John Martyn | |||
6 | Beverley Martyn / John Martyn | |||
7 | Beverley Martyn / John Martyn | |||
8 | Beverley Martyn / John Martyn | |||
9 | Beverley Martyn / John Martyn | |||
10 |
John Martyn had found 'his sound' with 1971's Bless The Weather, and two years later Solid Air saw him explore his distinctive style further. The title track (dedicated to fellow singer-songwriter Nick Drake) best summarised his new sound - a hypnotic, shimmering haze of acoustic folk and jazz instrumentation, with his vocals taking on a new slurred style which added to the abstract, dream. Sign in now to see your channels and recommendations! Watch Queue Queue.